Nagasaki: Memories of My Son introduction by Ryuichi Sakamoto

Introduction of Nagasaki: Memories of My Son by composer Ryuichi Sakamoto at the 10th anniversary of Japan Cuts Festival of New Japanese Film.

August 9, 1948. Nagasaki, Japan. An aging midwife named Nobuko (Sayuri Yoshinaga) is visited by the ghost of her son Koji (Kazuya Ninomiya), whom she lost to the atomic bomb. From then on Koji visits his mother frequently to reminisce and catch up on lost time. Their biggest topic of conversation is Koji’s kind-hearted fiancée Machiko (Haru Kuroki), who regularly visited Nobuko over the three years since Koji’s death. Machiko and Koji both seem unable to fully accept Koji’s death, but Nobuko slowly encourages them to move on. Yoji Yamada’s moving, star-studded film is a complementary response to playwright Hisashi Inoue’s seminal work The Face of Jizo, about a father-daughter relationship in the aftermath of the Hiroshima bombing, and the master director’s self-proclaimed attempt at making “the most important film in his life.”

Japan Cuts 2016 – Festival of New Japanese Film

North America’s largest festival of new Japanese film returns for its 10th anniversary edition, offering eleven days of impossible-to-see-anywhere-else screenings of the best new movies made in and around Japan with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. Featuring an expansive and eclectic slate of cinematic offerings that includes crowd-pleasing blockbusters, peerless independents, arthouse gems, influential classics, radical documentaries and avant-garde animations, JAPAN CUTS 2016 promises thrilling new discoveries for film fans of all stripes.

Nobuhiko Obayashi: a retrospective

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November 20–December 6, 2015

This fall, Japan Society is proud to invite Japanese filmmaker Nobuhiko Obayashi to the largest retrospective of his work ever organized in the U.S. With 10 feature films and a short ranging from 1964 to 2014, in addition to an in-depth conversation with the director covering his entire career, Nobuhiko Obayashi: A Retrospective offers a thorough (re)introduction to this endlessly innovative, singular film artist who burst into the consciousness of many American film fans with his cult hit House. This series is guest curated by Dr. Aaron Gerow, Professor of Film Studies and East Asian Languages and Literatures at Yale University.

Thanks to filmmaker/curator Denis Cordier for bringing the idea of a Nobuhiko Obayashi retrospective to Japan Society.

Tickets: $12/$9 Japan Society members, seniors & students
EXCEPT screening of HOUSE: $15/$12 Japan Society members, seniors & students

Special Offer: Purchase tickets for at least three films/events in the same transaction and receive $2 off each ticket! Offer available only at Japan Society Box Office or by telephone at (212) 715-1258. Offer not available online.

SCHEDULE HERE

Japan Society Reintroduces the Filmmaker Kon Ichikawa

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In America, Kon Ichikawa has been the least visible of the great Japanese filmmakers, despite a prolific career that continued almost to his death at 92 in 2008. Individual movies have made their mark — his shattering antiwar picture “Fires on the Plain” (1959), an unqualified masterpiece; “The Makioka Sisters” (1983), the story of a family fallen on hard times in 1930s Kyoto and a film of surpassing visual splendor; or “Tokyo Olympiad” (1965), his cool, eccentric, innovative documentary about the 1964 Olympics. But perhaps because of the versatility these titles indicate, he’s never come into focus in the United States the way Kurosawa, Ozu and even Mizoguchi have. There hasn’t been a major Ichikawa retrospective in North America since 2002.

This weekend, the Japan Society in Manhattan is offering a chance to sample a few of his less familiar films with the short series “Kon Ichikawa Restorations,”i the United States premieres of three movies in new 4K ultrahigh-definition restorations, projected in 35 millimeter. It begins on Friday night with “Conflagration” (1958) and continues Saturday with “Her Brother” (1960) and the ravishing, wonderfully strange period thriller “An Actor’s Revenge” (1963).

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