Experiments in Japanese Art and Photography, 1968-1979

newbanner2

FALL EXHIBITION

FOR A NEW WORLD TO COME: EXPERIMENTS IN JAPANESE ART AND PHOTOGRAPHY, 1968-1979

October 9, 2015–January 10, 2016

In the wake of the social and political upheaval of the late 1960s, Japanese artists and photographers began crafting a new visual language for an age of uncertainty. Their embrace of camera-based experiments would alter the cultural landscape and lay the foundations for contemporary art in Japan. For a New World to Come is the first comprehensive exhibition to spotlight this radical break with the past. With some 200 works by such luminaries as Ishiuchi Miyako, Daidō Moriyama, Jirō Takamatsu*, and Shōmei Tōmatsu, the exhibition charts the stunning diversity of photographic practices during this pivotal era, from conceptual series situated squarely within global artistic currents, to visually arresting meditations on time, place, and self.

For a New World to Come was organized by The Museum of Fine Arts, Houston (MFAH). It is co-presented in New York City with the Grey Art Gallery, New York University, where a portion of the show is on view from Sept. 11 to Dec. 5, 2015.

Admission:
$12; students & seniors $10, Japan Society members & children under 16 free. Admission is free to all on Friday nights, 6–9 PM.

Gallery hours:
Tuesday–Thursday, 11 AM–6 PM; Friday, 11 AM–9 PM; Saturday and Sunday, 11 AM–5 PM. Closed Mondays and major holidays.

Docent-led tours:
Starting Friday, October 9, through Sunday, January 10, 2016, docent-led walk-in tours will be conducted Tuesday–Sunday at 2:30 PM and Fridays at 2:30 and 7 PM. Japanese language tours will be conducted Friday nights at 6 PM. Tours are free with admission and are approximately one hour in duration.

Japan Society Gallery will be closed November 26 and 27, December 24, 25, and 31, and January 1.

*English Wikipedia article not available at the time of writing.

1968 and Beyond: The New World of Art & Photography

Website_large_1968

Join For a New World to Come artists Ishiuchi Miyako and Kunié Sugiura in conversation with exhibition curator Yasufumi Nakamori (Museum of Fine Arts, Houston) for their insiders’ perspective on the earliest stirrings of contemporary art in Japan and New York during the late 1960s and 1970s. This artists-in-dialogue opening event will shed new light on the radical – and deeply personal – camera-based practices that drew artists and photographers to the edge of visual experimentation across the globe. Followed by an exclusive cocktail reception with the discussants.

Create a free website or blog at WordPress.com.

Up ↑