U.S. plans for high-speed magnetic-levitation train travel, known as maglev, moved a step closer to reality with nearly $28 million in federal funding. In test runs, trains have reached speeds in excess of 300 miles per hour.
Spectator Choreographed by Shuji Onodera
Friday, November 13, 7:30 PM
Saturday, November 14, 7:30 PM
NORTH AMERICAN PREMIERE
This highly conceptual multimedia dance work transports audiences back and forth between a seemingly quotidian space and an outlandish world. Inspired by a series of workshops with students from a school for the deaf in Tokyo, Spectator unveils non-narrative stories of tender emotion, woven through director/choreographer Shuji Onodera’s original movement vocabulary coupled with video imagery, projected text, an intimate apartment room stage set and slapstick humor. The cast includes Naoya Oda from the celebrated butoh company Dairakudakan along with Maki Yamada and Mai Nagumo, two participants from Onodera’s initial workshops for deaf students.
Tickets: $30/$25 Japan Society members
The Friday, November 13 performance is followed by a MetLife Meet-the-Artists Reception.
http://www.japansociety.org/event/company-derashinera-spectators
New York’s Met showing 150 newly donated Japanese art treasures
An exhibition of 150 important Japanese artworks is being held at the Metropolitan Museum of Art in New York.
It includes a statue of the Buddhist deity known as Fudo Myoo by sculptor Kaikei, who lived in the late 12th and early 13th centuries. The collection also includes a depiction of a plum tree by 18th century painter Ito Jakucho.
The works are some of the 300 or so items donated to the museum after the death of collector Mary Griggs Burke in 2012. The earliest is from the 10th century.
The exhibition was set to open Tuesday and run through next July 31.
Burke began collecting Japanese art in the 1960s, eventually acquiring about 1,000 items. It was described as the largest private collection of Japanese art outside of Japan.
Some of the pieces were exhibited in public in 1985, including at the Tokyo National Museum.
Part of the Burke collection was also donated to the Minneapolis Institute of Arts.
Japan Society Reintroduces the Filmmaker Kon Ichikawa
In America, Kon Ichikawa has been the least visible of the great Japanese filmmakers, despite a prolific career that continued almost to his death at 92 in 2008. Individual movies have made their mark — his shattering antiwar picture “Fires on the Plain” (1959), an unqualified masterpiece; “The Makioka Sisters” (1983), the story of a family fallen on hard times in 1930s Kyoto and a film of surpassing visual splendor; or “Tokyo Olympiad” (1965), his cool, eccentric, innovative documentary about the 1964 Olympics. But perhaps because of the versatility these titles indicate, he’s never come into focus in the United States the way Kurosawa, Ozu and even Mizoguchi have. There hasn’t been a major Ichikawa retrospective in North America since 2002.
This weekend, the Japan Society in Manhattan is offering a chance to sample a few of his less familiar films with the short series “Kon Ichikawa Restorations,”i the United States premieres of three movies in new 4K ultrahigh-definition restorations, projected in 35 millimeter. It begins on Friday night with “Conflagration” (1958) and continues Saturday with “Her Brother” (1960) and the ravishing, wonderfully strange period thriller “An Actor’s Revenge” (1963).
Japan Society Gallery Names Yukie Kamiya Next Director
New York’s Japan Society is expected to announce tomorrow the appointment of Yukie Kamiya as the next director of the Japan Society Gallery. Ms. Kamiya, whose speciality is in Japanese contemporary art, will begin her new role at the beloved museum, which is known for its program featuring both timely and historical exhibitions, on November 16, 2015.
Ms. Kamiya has served as the chief curator of the Hiroshima City Museum of Contemporary Art (Hiroshima MoCA) in Japan since 2007. Prior to working at Hiroshima MoCA, she was adjunct and associate curator at the New Museum in New York from 2003 to 2006. While at the Hiroshima MoCA, she has organized major solo exhibitions for prominent artists such as Yoko Ono, Cai Guo Qiang, and Do Ho Suh. Recently, she was selected as the 2016 curator of Sights and Sounds: Global Film and Video at the Jewish Museum, a long-term series of screenings spotlighting artists from different regions of the world.
“I look forward to making the Gallery a venue for exploring visual arts which express Japan’s inherent global temperament—its links to the U.S., to its neighboring nations in Asia, as well as to Europe and Latin America,” said Ms. Kamiya in a statement. “With its unique position in New York City, Japan Society Gallery can present Japanese art—both traditional and contemporary – from a new perspective, one that considers the passing of time as a single, continuous flow of ideas.”
1968 and Beyond: The New World of Art & Photography
Join For a New World to Come artists Ishiuchi Miyako and Kunié Sugiura in conversation with exhibition curator Yasufumi Nakamori (Museum of Fine Arts, Houston) for their insiders’ perspective on the earliest stirrings of contemporary art in Japan and New York during the late 1960s and 1970s. This artists-in-dialogue opening event will shed new light on the radical – and deeply personal – camera-based practices that drew artists and photographers to the edge of visual experimentation across the globe. Followed by an exclusive cocktail reception with the discussants.
A Look at Fort Greene, Brooklyn
Fort Greene runs the gamut from historic brownstones on leafy streets to the booming Brooklyn Cultural District.
Company Derashinera Spectator
NORTH AMERICAN PREMIERE
This highly conceptual multimedia dance work transports audiences back and forth between a seemingly quotidian space and an outlandish world. Inspired by a series of workshops with students from a school for the deaf in Tokyo, Spectator unveils non-narrative stories of tender emotion, woven through director/choreographer Shuji Onodera’s original movement vocabulary coupled with video imagery, projected text, an intimate apartment room stage set and slapstick humor. The cast includes Naoya Oda from the celebrated butoh company Dairakudakan along with Maki Yamada and Mai Nagumo, two participants from Onodera’s initial workshops for deaf students.
Tickets: $30/$25 Japan Society members
The Friday, November 13 performance is followed by a MetLife Meet-the-Artists Reception.
Friday, November 13, 7:30 PM
Saturday, November 14, 7:30 PM